We introduce the notion of multi-pattern, a combinatorial abstraction of polyphonic musical phrases. The interest of this approach lies in the fact that this offers a way to compose two multi-patterns in order to produce a longer one. This dives musical phrases into an algebraic context since the set of multi-patterns has the structure of an operad; operads being structures offering a formalization of the notion of operators and their compositions. Seeing musical phrases as operators allows us to perform computations on phrases and admits applications in generative music: given a set of short patterns, we propose various algorithms to randomly generate a new and longer phrase inspired by the inputted patterns.
翻译:我们引入了多模式概念,即多调音乐词组的组合式抽象概念。 这种方法的兴趣在于,它提供了一种方法来组成两个多调音乐词组,以便产生一个更长的词组。 它将音乐词组从一个代数背景中跳入一个代数背景, 因为多模式组的结构是歌剧式的; 歌剧结构是操作者概念及其构成的正式化结构。 将音乐词组看成操作者, 允许我们计算词组, 并接受基因化音乐的应用: 根据一套短模式, 我们提出各种算法, 随机生成一个由输入模式启发的新的、更长的词组。