This Thesis discusses the development of technologies for the automatic resynthesis of music recordings using digital synthesizers. First, the main issue is identified in the understanding of how Music Information Processing (MIP) methods can take into consideration the influence of the acoustic context on the music performance. For this, a novel conceptual and mathematical framework named "Music Interpretation Analysis" (MIA) is presented. In the proposed framework, a distinction is made between the "performance" - the physical action of playing - and the "interpretation" - the action that the performer wishes to achieve. Second, the Thesis describes further works aiming at the democratization of music production tools via automatic resynthesis: 1) it elaborates software and file formats for historical music archiving and multimodal machine-learning datasets; 2) it explores and extends MIP technologies; 3) it presents the mathematical foundations of the MIA framework and shows preliminary evaluations to demonstrate the effectiveness of the approach
翻译:本论文讨论了利用数字合成器自动合成音乐录音录音自动合成技术的发展。首先,主要问题在于了解音乐信息处理方法如何能考虑到声学环境对音乐表演的影响。为此,提出了名为“音乐解释分析”的新概念和数学框架(MIA),在拟议框架中,区分了“性能”——玩游戏的物理动作——和“解释”——表演者希望实现的行动。第二,论文描述了旨在通过自动合成实现音乐制作工具民主化的进一步工作:1)它为历史音乐存档和多式机器学习数据集开发软件和文件格式;2)它探讨并扩展MIP技术;3)它介绍了MIA框架的数学基础,并展示了为证明这一方法的有效性而进行的初步评估。