The annotation of music content is a complex process to represent due to its inherent multifaceted, subjectivity, and interdisciplinary nature. Numerous systems and conventions for annotating music have been developed as independent standards over the past decades. Little has been done to make them interoperable, which jeopardises cross-corpora studies as it requires users to familiarise with a multitude of conventions. Most of these systems lack the semantic expressiveness needed to represent the complexity of the musical language and cannot model multi-modal annotations originating from audio and symbolic sources. In this article, we introduce the Music Annotation Pattern, an Ontology Design Pattern (ODP) to homogenise different annotation systems and to represent several types of musical objects (e.g. chords, patterns, structures). This ODP preserves the semantics of the object's content at different levels and temporal granularity. Moreover, our ODP accounts for multi-modality upfront, to describe annotations derived from different sources, and it is the first to enable the integration of music datasets at a large scale.
翻译:注释音乐内容是一个复杂的过程,由于其固有的多方面性、主观性和跨学科性质,它对于表示具有挑战性。多年来,已经开发了许多独立的标准和体系来注释音乐。很少有人去做到使它们互操作,这就危及了跨语料库研究,因为它要求用户熟悉多种惯例。这些系统中的大多数缺乏表达音乐语言复杂性所需的语义表现力,无法模拟来自音频和符号源的多模态注释。在本文中,我们介绍了音乐注释模式(Music Annotation Pattern),这是一个本体设计模式(ODP),用于同质化不同的注释系统并表示多种类型的音乐对象(例如和弦、模式、结构)。此ODP在不同层次和时间粒度上保留对象内容的语义。此外,我们的ODP一开始就考虑了多模态性,以描述来自不同来源的注释,它是第一个能够在大规模上集成音乐数据集的模式。