Audio envelopes serve a crucial role in ensuring the versatility of synthesizers in producing timbres. To this end, the Attack, Decay, Release and Sustain (ADSR) envelope generator and its derivatives have been established as a mainstay in modern music. However, there may be merit in exploring alternate techniques to produce envelopes that could not only resemble ADSR but also be used to create novel timbres. Consequently, an attempt is made in this research to formulate the framework of a new envelope generator by redefining the Proportional-Integral-Derivative (PID) algorithm used in feedback-based process control. Additionally, a detailed analysis is made on the modes of operation and the nature of envelopes thus generated to establish it as a potential harbinger of distinctive styles of music.
翻译:音频信封在确保合成器多功能生产小音节方面起着关键作用,为此,将攻击、衰落、释放和维持(ADSR)信封生成器及其衍生物确定为现代音乐的支柱,然而,也许有必要探索其他技术来制作不仅可以与ADSR类似,而且还可以用来创建新的信封;因此,在这项研究中试图通过重新定义基于反馈的进程控制中使用的成比例- Intral-Derivative(PID)算法来制定新信封生成器的框架;此外,还详细分析了运作模式以及由此产生的信封的性质,以确定信封是独特的音乐风格的潜在发源。