It is human to want to touch artworks, to feel their surface curvature and texture, their shapes and structures, and to feel the hand of the artist. Museum guards need to be constantly vigilant to protect art objects from adoring and exploring touches by visitors. This paper introduces a novel technique for capturing where and how art objects are touched. In this method, the users' touch either adds, or subtracts, microscopic fluorescent particles from a three-dimensional art object. Viewing the object under ultraviolet light reveals their touch traces and gestures. We present human touch behavior for a three-dimensional stylized landscape, and for two abstract and two representational art objects. We also present the results of video recordings of real-time behavior and user interviews. The resulting data show the kinds of touches, and where they are directed, and also reveal important individual differences. We feel this method opens the door to studying art perception through touch, and also enables new kinds of studies into touch behavior in other applications, including visualization, embodied cognition, and design.
翻译:博物馆警卫需要时刻保持警惕,保护艺术品不受访客的崇拜和探究。本文介绍了一种用于捕捉艺术品触摸地点和方式的新技术。在这一方法中,用户的触摸或增加或减少三维艺术对象的微小荧光粒子。在紫外光下查看物体暴露了它们的触摸痕迹和手势。我们展示了三维星形景观以及两个抽象和两个代表艺术对象的触摸行为。我们还展示了实时行为和用户访谈的视频记录结果。由此产生的数据显示了触摸类型及其方向,还揭示了重要的个人差异。我们感到这种方法打开了通过触摸研究艺术感知的大门,还使新类型的研究得以在其他应用中进行触摸行为,包括视觉化、体现的认知和设计。