The modern age of digital music access has increased the availability of data about music consumption and creation, facilitating the large-scale analysis of the complex networks that connect music together. Data about user streaming behaviour, and the musical collaboration networks are particularly important with new data-driven recommendation systems. Without thorough analysis, such collaboration graphs can lead to false or misleading conclusions. Here we present a new collaboration network of artists from the online music streaming service Spotify, and demonstrate a critical change in the eigenvector centrality of artists, as low popularity artists are removed. The critical change in centrality, from classical artists to rap artists, demonstrates deeper structural properties of the network. A Social Group Centrality model is presented to simulate this critical transition behaviour, and switching between dominant eigenvectors is observed. This model presents a novel investigation of the effect of popularity bias on how centrality and importance are measured, and provides a new tool for examining such flaws in networks.
翻译:现代数字音乐接入时代增加了音乐消费和创作数据的供应,促进了对将音乐连接在一起的复杂网络进行大规模分析。用户流行为和音乐合作网络的数据与新的数据驱动建议系统特别重要。未经彻底分析,这种合作图表可能导致错误或误导结论。在这里,我们展示了网上音乐流服务的艺术家的新合作网络,随着低受欢迎的艺术家的消失,展示了艺术家核心地位的重大变化。从古典艺术家到说唱艺术家,展示了网络的更深层次结构特性。介绍了一个社会群体中心模式,以模拟这种关键的转变行为,并观察了占支配地位的生化者之间的转换。这一模式对流行偏见对如何衡量核心和重要性的影响进行了新的调查,并为研究网络中的这种缺陷提供了新的工具。