The existing piano fingering labeling statistical models usually consider the constraints among the fingers and the correlation between fingering and notes, and rarely include the relationship among the notes directly. The limited learned finger-transfer rules often cause that some parts of the fingering cannot be playable in fact. And traditional models often adopt the original notes, which cannot help to explore the mapping nature between the pitches and fingering. Inspired from manual-ly annotation which acquire the fingering knowledge directly from pitch-difference, we proposed a pitch-difference sequence and fingering (PdF) matching model. And to get playable fingering, be-sides learned finger-transfer rules, prior finger-transfer knowledge is especially combined into the model. In order to characterize the playable performance of the model, we also presented a new evaluation index named incapable-performing fingering rate (IFR). Comprehensive experimental re-sults show that compared with the existing state-of-the-art third-order hidden Markov labeling model, the general and the highest matching rate of our model increases by 3% and 1.6% respective-ly, and the fingering for all scores can be playable.
翻译:现有的钢琴指针统计模型通常会考虑手指之间的限制以及手指和笔记之间的关系,而很少直接包括笔记之间的关系。 有限的学习型手指转移规则往往导致手指的某些部分无法在事实上发挥作用。 传统模式往往采用原始笔记,这些笔记无法帮助探索投手和手指之间的绘图性质。 由手动说明直接从球场差异中获取手指知识的启发, 我们建议了一个投球差异序列和手指匹配模型。 为了获得可玩的指针, 旁方学习的手指转移规则, 以前的手指转移知识特别结合到模型中。 为了描述模型的可玩性能, 我们还提出了一个新的评价指数, 名为“ 手动手指率 ” ( IFR) 。 全面实验性二次实验性说明, 与现有的艺术第三级隐藏型标注模型相比, 我们模型的总和最高匹配率分别增加3%和1.6%, 对所有分数的指针都可以播放。