Humans have a privileged, embodied way to explore the world of sounds, through vocal imitation. The Quantum Vocal Theory of Sounds (QVTS) starts from the assumption that any sound can be expressed and described as the evolution of a superposition of vocal states, i.e., phonation, turbulence, and supraglottal myoelastic vibrations. The postulates of quantum mechanics, with the notions of observable, measurement, and time evolution of state, provide a model that can be used for sound processing, in both directions of analysis and synthesis. QVTS can give a quantum-theoretic explanation to some auditory streaming phenomena, eventually leading to practical solutions of relevant sound-processing problems, or it can be creatively exploited to manipulate superpositions of sonic elements. Perhaps more importantly, QVTS may be a fertile ground to host a dialogue between physicists, computer scientists, musicians, and sound designers, possibly giving us unheard manifestations of human creativity.
翻译:人类拥有一种通过声学模仿来探索声音世界的特权和体现方式。 声音的量子Vocal理论(QVTS)从以下假设开始:任何声音都可以表达和描述为声音状态叠加状态的演化,即光化、动荡和超球状心血管振动。量子力学的假设,以及可观察、测量和国家时间演变的概念,提供了一种可用于声音处理的模型,既可以用于分析和合成两个方向。 QVTS可以对某些听力流现象提供量子理论解释,最终导致相关声学处理问题的实际解决方案,也可以被创造性地用来操纵声学元素的叠加位置。 也许更重要的是,QVTS可能是主持物理学家、计算机科学家、音乐家和音响设计师之间对话的肥沃土壤,可能给我们带来人类创造力的未听闻表现。