All 88 keys of a piano at two stages, right after production (stage 1) and one year after playing (stage 2) are investigated using Music Information Retrieval (MIR) timbre extraction and Machine Learning (ML). In \cite{Plath2019} it was found that listeners clearly distinguished both stages but no clear correlation with acoustics, signal processing tools or verbalizations of perceived differences could be found. Using a Self-Organizing Map (SOM) training single as well as double feature sets it is found that spectral flux is able to perfectly cluster the two pianos. Sound Pressure Level (SPL), roughness, and fractal correlation dimension, as a measure for initial transient chaoticity are furthermore able to order the keys with respect to high and low tones. Combining spectral flux with the three other features in double-feature training sets maintain stage clustering only for SPL and fractal dimension, showing sub-clusters for both stages. These sub-clusters point to a homogenization of SPL for stage 2 with respect to stage 1 and a pronounced ordering and sub-clustering of key regions with respect to initial transient chaoticity.
翻译:制作后(第1阶段)和播放后一年(第2阶段)的所有88个钢琴钥匙都使用音乐信息检索(MIR)磁带提取和机器学习(ML)来调查。在\cite{Plath2019}中,发现听众明显区分了两个阶段,但与声学、信号处理工具或认知差异的言语没有明显关联。使用自成一体的地图(SOM)培训单级和双元分集,发现光谱通度能够完美地组合这两台钢琴。声音压力水平(SPL)、粗糙和分形相关维度,作为初步中度混乱度的一项措施,还可以订购中低端的钥匙。将光谱通量与双功能培训中的其他三个特征结合起来,只能维持SPL和分集束,显示两个阶段的分集束。这些分集指SPL在第2阶段的同质化,以及关键区域的明确定序和次分组,与初始中截断的中位性混乱。