The success of online creative communities depends on the will of participants to create and derive content in a collaborative environment. Despite their growing popularity, the factors that lead to remixing existing content in online creative communities are not entirely understood. In this paper, we focus on overdubbing, that is, a dyadic collaboration where one author mixes one new track with an audio recording previously uploaded by another. We study musicians who collaborate regularly, that is, frequently overdub each other's songs. Building on frequent pattern mining techniques, we develop an approach to seek instances of such recurring collaborations in the Songtree community. We identify 43 instances involving two or three members with a similar reputation in the community. Our findings highlight common and different remix factors in occasional and recurring collaborations. Specifically, fresh and less mature songs are generally overdubbed more; instead, exchanging messages and invitations to collaborate are significant factors only for songs generated through recurring collaborations whereas author reputation (ranking) and applying metadata tags to songs have a positive effect only in occasional collaborations.
翻译:在线创作社群的成功取决于参与者在协作环境中创造和获取内容的意愿。 尽管他们越来越受欢迎, 导致在线创作社群中现有内容重新混合的因素并不完全被理解。 本文中,我们注重过度合作, 即一位作者将新音轨与先前由另一个作者上传的录音带混在一起的双轨协作。 我们研究经常合作的音乐家, 即经常跳过对方的歌曲。 以频繁的模式采矿技术为基础, 我们开发了一种方法, 在宋树社群中寻求这种经常性合作的事例。 我们发现43个案例, 涉及在社群中拥有类似声望的两三个成员。 我们的发现凸显了偶然和反复合作中常见和不同的再融合因素。 具体地说, 新鲜和不太成熟的歌曲通常被过度使用; 相反, 交流信息和合作邀请只是通过反复合作生成歌曲的重要因素, 而作者的名声( 排名) 和对歌曲应用元数据标记只在偶尔的合作中产生积极效果。