By the time of writing, quantum audio still is a very young area of study, even within the quantum signal processing community. This chapter introduces the state of the art in quantum audio and discusses methods for the quantum representation of audio signals. Currently, no quantum representation strategy claims to be the best one for audio applications. Each one presents advantages and disadvantages. It can be argued that future quantum audio representation schemes will make use of multiple strategies aimed at specific applications. NOTE: This is an unedited abridged version of the pre-submission draft of a chapter, with the same title, published in the book Quantum Computer Music: Foundations, Methods and Advanced Concepts, by E. R. Miranda (pp. 223 - 274). Please refer to the version in this book for application examples and a discussion on sound synthesis methods based on quantum audio representation and their potential for developing new types of musical instruments. https://link.springer.com/book/10.1007/978-3-031-13909-3
翻译：在撰写本报告时,量子音量仍是一个非常年轻的研究领域,即使在量子信号处理界内也是如此。本章介绍量子音量的最新水平,并讨论音量信号的量子表示方法。目前,量子表示战略没有声称是音量应用的最佳战略。每个战略都有优点和缺点。可以认为,未来的量子音量表示方案将利用针对具体应用的多种战略。注意:这是未经编辑的节录版本,其标题相同,载于E. R. Miranda出版的《量子计算机音乐:基础、方法和高级概念》一书(第223至274页),请参考本书中的版本,以应用为例,并讨论基于量子音量表示及其开发新型乐器的潜力的合成方法。https://link.springer.com/book/101007-978-3-033909-3-3。请参考本书中的版本,以应用实例和讨论基于量音量表示及其开发新型乐器的潜力的合成方法。https://link.spring.sprange.com/ book/101007-8-0031-13909-3。
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