Automatic Authorship Attribution (AAA) is the result of applying tools and techniques from Digital Humanities to authorship attribution studies. Through a quantitative and statistical approach this discipline can draw further conclusions about renowned authorship issues which traditional critics have been dealing with for centuries, opening a new door to style comparison. The aim of this paper is to prove the potential of these tools and techniques by testing the authorship of five comedies traditionally attributed to Spanish playwright Tirso de Molina (1579-1648): La ninfa del cielo, El burlador de Sevilla, Tan largo me lo fiais, La mujer por fuerza and El condenado por desconfiado. To accomplish this purpose some experiments concerning clustering analysis by Stylo package from R and four distance measures are carried out on a corpus built with plays by Tirso, Andres de Claramonte (c. 1560-1626), Antonio Mira de Amescua (1577-1644) and Luis Velez de Guevara (1579-1644). The results obtained point to the denial of all the attributions to Tirso except for the case of La mujer por fuerza.
翻译:自动化作者归属探究(AAA)是通过将数字人文学工具和技术应用于作者归属研究的结果。通过定量和统计学的方法,这个学科可以从传统评论家的角度得出更多有关著名的作者问题,为风格比较开辟了新的方法。本文旨在通过对5部传统归于西班牙剧作家蒂尔索·德·莫利纳(1579-1648)的喜剧进行评估,证明这些工具和技术的潜力: 《天空的女神》、《塞维利亚的诈骗者》、《你就信我这么久》、《Forced Woman》和《因猜疑而被定罪的人》。为了达到这个目的,在由Tirso、Andres de Claramonte(c. 1560-1626)、Antonio Mira de Amescua(1577-1644)和Luis Velez de Guevara(1579-1644)的戏剧构成的语料库上进行了一些实验,利用来自R的Stylo包和四种距离度量进行聚类分析。结果表明,除了《Forced Woman》之外,蒂尔索的所有归属都被否定。