In this chapter I will discuss the role of quantum computing in computer music and how it can be integrated to better serve the creative artists. I will start by considering different approaches in current computer music and quantum computing tools, as well as reviewing some previous attempts to integrate them. Then, I will reflect on the meaning of this integration and present what I coined as QAC (Quantum-computing Aided Composition) as well as an early attempt at realizing it. This chapter will also introduce The QAC Toolkit Max package, analyze its performance, and explore some examples of what it can offer to realtime creative practice. Lastly, I will present a real case scenario of QAC in the creative work Disklavier Prelude #3.
翻译：在本章中,我将讨论量子计算在计算机音乐中的作用以及如何将其整合,以便更好地为创作艺术家服务。我将首先考虑当前计算机音乐和量子计算工具的不同方法,并审查先前的整合尝试。然后,我将思考这种整合的含义,并介绍我称为QAC(量子计算辅助构件)的内容,以及早日实现这一点的尝试。本章还将介绍QAC工具包组合,分析其性能,并探讨它能为实时创造性实践提供哪些实例。最后,我将介绍QAC在Disklaviier Prelude 3 创作工作中的真实案例。
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